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Streltsi Bonus Figures
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All figures are supplied unpainted
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In 2003 Strelets began producing sets that included one figure which was
unrelated to the subject of the set. The figure was of a member of the
Streltsi from the late 17th century, and as each set is acquired so
a complete collection of Streltsi is built up. It is not currently known
how many such figures will eventually be made, so this page is concerned with those figures already in
production. By it's nature therefore this page will change and be updated
each time a new figure appears.
In the 1690s the nearest thing Russia had to a standing army were the
Streltsi (literally ‘musketeers’). They liked to consider themselves an
elite, and tended to act like a praetorian guard, getting involved in
political intrigues and enjoying their power without adequately
maintaining their military effectiveness. When Peter the Great (1672-1725)
became sole Tsar in 1689 he embarked on a radical series of reforms to
transform his inward-looking feudal state into what was to become a major
European power, and many of these concerned the army. In 1698 the
naturally conservative Streltsi, who felt threatened by the ‘new ways’,
rebelled. Peter savagely suppressed the rebellion and disbanded many of
the regiments, incorporating the rest into his new army.
The Streltsi were dressed in the traditional Russian long coat
(kaftan) and had fur-trimmed hats. They wore beards, another
Russian tradition, and carried a match-lock musket, sword (shashka)
and battle-axe (berdysh) which also served as a musket rest. The
figures here reflect this appearance accurately, including the musketeer
using his berdysh as a rest. Figure B carries a device that can be either
a halberd or a large axe, with either the axe head or the spike being
trimmed off as required, though this man is missing a sword. The musket on figure C
is rather too thick and short for our liking, but the officer figure (D) is quite nice,
with only a passing resemblance to Santa Claus!
The detail on the figures is OK, but the quality of the sculpting varies from pretty good to quite
poor, although there is no apparent flash. The differences in sculpting quality are down to the fact that
they originate from many different sets, with different sculptors
and production histories. For
example it is noticable that figures I and J are much less well defined. This is due to problems
with making the mould on the corresponding sets, but it means they compare unfavourably with the
earlier figures (F to H) shown on the same line.
This is an interesting subject, and an intriguing
method of delivering the figures. Since the company took its name from
this unit it is only fitting that each set should include a representative
from it, and over the years a large and diverse set could be constructed
which is free from many of the limitations of the traditional one box
approach. However for those that cannot wait Zvezda have produced a box of these figures which match these
Strelets figures in terms of unit and time period. Take a look at
the review for details.
As already stated, these figures are not available as one set, but instead
each is included in other Strelets sets. The origin of each figure is as
follows:
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